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by Thomas K. Grose

High Spire Act

Broadcaster zooms in on cutting-edge construction, old and new.

UP CLOSE image of Jonathan Foyle. Quote:'By scaling buildings, Jonathan Foyle can show details not visible from the ground.'LONDON – British academic and TV broadcaster Jonathan Foyle spent much of this past summer doing a bit of urban climbing – an extreme sport that requires practitioners to clamber up the exteriors of buildings, à la Spiderman, using some of the same techniques as rock climbers. But Foyle wasn’t indulging his inner thrill-seeker. He scaled the sides of some of Britain’s most iconic buildings to popularize the history of British engineering and architecture.

Foyle’s exploits were being filmed for Scaling Britain, a 15-part BBC-TV program that debuts this fall. In it, as he climbs the 15 historic buildings or structures, he explains the engineering and architectural significance and breakthroughs of each, and some of the science that underpins their construction. “I discuss the many technical leaps of the last 1,000 years,” he says, such as the physics behind flying buttresses or the materials science that enabled medieval architects and construction engineers to design ever larger stained-glass windows, like those in 14th-century New College at Oxford University. It’s a fun and entertaining way to explain historic engineering principles to millions of viewers – both here and in the United States (airing in fall 2010).

The urban-climbing element is a hook that seems guaranteed to lure an audience, but Foyle insists it’s no gimmick: “There’s a real purpose to the climbing. It allows viewers to see the buildings up close.” And that makes it easier for him to point out details not visible from the ground.

The series debuts with St. Albans Cathedral in Hertfordshire. Much of the current cathedral dates back to just after the Norman Conquest of 1066, but there remain remnants of an even older Saxon church. Here, Foyle points out how the older church used an early version of recycling: It was built from bricks taken from old Roman roads.

Another episode features St. Paul’s Cathedral in London, the masterpiece work of 17th-century architect Sir Christopher Wren. Its dome towers 365 feet into the sky and is second only to St. Peter’s Basilica in Rome in height. “We explore how, in creating Britain’s first great dome, Wren married new scientific ideas with established, subjected aesthetics,” Foyle says. The dome is actually three in one: between the exterior and interior domes is a hidden, narrower one that provides necessary support.

The most modern building included in Scaling Britain is Manchester’s Imperial War Museum North, which was designed by renowned architect Daniel Libeskind and opened in 2002. The aluminum-clad, “fragmented globe” of a building “is almost an inhabited sculpture,” Foyle explains.

Liam Keelan, the BBC’s daytime controller, says that the network enlisted Foyle for the show because he’s “a respected expert and broadcaster” well-suited “to help bring the wonder of architecture to a wider audience.” That’s for sure. Foyle has a bachelor’s degree in architecture and a doctorate in buildings archaeology, both from the University of Kent, and he’s hosted several TV programs on architecture. He’s also CEO of the World Monuments Fund Britain, which endeavors to save historic structures, and was formerly buildings curator at Hampton Court Palace and Kew Palace.

Foyle developed a lifelong passion for historic buildings as a teenager bicycling around Lincolnshire, where he grew up. And while Scaling Britain is aimed at a general audience, Foyle nevertheless “very much hopes” the urban-climbing aspects will help it attract a significant number of younger viewers. Still, the 41-year-old Foyle jokes that if the BBC wanted to appeal purely to teenagers, “they wouldn’t have picked someone my age.”

A crucial aspect of this gig that Foyle hadn’t anticipated was the climbing. It had never occurred to him to scamper up the buildings he so loves, and he spent much of the spring taking lessons. “But I found, to my surprise, that I quite enjoy it.” Especially when his safety harness is clipped on good and snug.

Thomas K. Grose is Prism’s chief correspondent, based in the United Kingdom.




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